Monday, July 07, 2008

my mind goes blank ... again !

soaked after a quick dash in the pouring rain from the truck to the doorstep of the blogger, plutarch, a walking talking fount of knowledge and ideas, and a real gent, of course

in the time it takes to swallow a cup of coffee, the subject of current reading returned to the old problem of what to read whilst time is so precious ... what to avoid reading, and what we must re-read ... and we suddenly realized there is a gap in our perspective when neither of us could come up with a quick answer to this question ...

which are the most interesting, or complex, wimmin in the great novels ?

there are plenty of memorable beauties, and plenty of witty and passionate heroines, but when we tried to make a list of wimmin in novels who stimulate and challenge as spiritually and intellectually as do the ones we encounter in real life ... we agreed it might be necessary to appeal for suggestions

a bank in the strand
































saint dunstan's in fleet street

























a rusty old clock in fleet street


Sunday, July 06, 2008

civilization


re-photographing gilbert bayes in shaftesbury avenue (i)

i went back to photograph gilbert bayes' freize at the old saville theatre, this time with a tripod and a longer lens, so that i could work from across the street and produce a set with something approaching the original continuity of his design
















i've only just discovered that the panels on the london fire brigade HQ are by the same artist

http://emotionalblackmailers.blogspot.com/2007/11/fire-station-in-lambeth.html

re-photographing gilbert bayes in shaftesbury avenue (ii)




Saturday, July 05, 2008

yet another little bit of local colour




like a dog chasing it's own "tale"





i'm still looking for clues about who commissioned maurice lambert's grotesque carvings for AEI ...

but when i googled the obvious search criteria, all i got was me !

Friday, July 04, 2008

more about maurice lambert

there isn't much written about maurice lambert ... perhaps because not much of his work is memorable

















the main book, by vanessa nicolson, is excellently illustrated and researched ... but she sticks to the facts and so she doesn't really ask the question i need to answer ...

how did maurice go from being that sweet baby to becoming a part-time or temporary pornographer of [post-war/cold-war/state-sponsored?] violence ?

and which holder of the purse-strings commissioned the work on behalf of associated electrical industries, and how far was it's confrontational subject matter discussed ?























maybe vanessa nicolson's single paragraph about maurice lambert's war-time experience gives us a tenuous clue to his own attitude














































... and maybe the following article, which popped up when i googled "corporate cold war art", might help to give some perspective to the nature of this commission ...

http://libcom.org/history/articles/cultural-cold-war/