of the seven deadly sins, the eighth and worst by far is emotional blackmail ... the diligent practise of this subtle and ancient art creates a constantly evolving darwinistic moral vacuum in which the brightest new manipulative ideas and stratagems flourish ... and which only you, or i, can fill !
Sunday, July 13, 2008
had you been an english-speaking fly on the wall in our place this morning, you might have heard ...
She: “Are you collecting post-it notes at the moment ?”
He: “Not really .. it’s a kind of disorganized organization.”
He: “Not really .. it’s a kind of disorganized organization.”
genius
During a Tokyo festival in 1804, he created a portrait of the Buddhist priest Daruma said to be 600 feet long using a broom and buckets full of ink.
Another story places him in the court of the Shogun Iyenari, invited there to compete with another artist who practiced more traditional brush stroke painting.
Hokusai's painting, created in front of the Shogun, consisted of painting a blue curve on paper, then chasing a chicken across it whose feet had been dipped in red paint.
He described the painting to the Shogun as a landscape showing the Tatsuta River with red maple leaves floating in it, winning the competition.
"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention."
Another story places him in the court of the Shogun Iyenari, invited there to compete with another artist who practiced more traditional brush stroke painting.
Hokusai's painting, created in front of the Shogun, consisted of painting a blue curve on paper, then chasing a chicken across it whose feet had been dipped in red paint.
He described the painting to the Shogun as a landscape showing the Tatsuta River with red maple leaves floating in it, winning the competition.
"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention."
"At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie."
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