turkish gun ... on a posh english gun carriage

i'm not fond of guns, but this one has some charm, and illustrates the peculiar vanity of those who bear arms ... made in 1524, "captured" ( does that mean looted ? ) by the british in egypt in 1801 .... when it was already two hundred and seventy something years old ...

the gun itself is said to have been made by murad, son of abdullah, chief gunner in 1524 for "the Solomon of the Age, the great Sultan Commander" ...

the carriage which supports the gun was "executed by mr. ponsonby" c.1804 and constructed in the royal carriage department, founded by J & E Hall, Dartford.

captain scott ... of the antarctic

http://pratie.blogspot.com/2005/04/scotts-fatal-antarctic-expedition.html

and sterna suggested this link

http://www.youtube.com/watch?v=0rvKD2PDeik

which is exquisitely appropriate ... thanx

life's little ironies ... sooner or later, what goes around, comes around

an ukrainian restaurant has opened in one of the buildings that face the crimean war memorial

a walk along the embankment, starting from aldwych and walking towards westminster

sir joseph bazalgette

w.s.gilbert

sir walter besant

trickle-down theory vindicated ... at last !

http://www.theonion.com/content/news/reaganomics_finally_trickles_down

i was surprised to learn that ... when they built the first iron bridge across the river severn ...

... that they built the frame first ...

... and then they built the abutments

look in to my eyes and obey me ... you will go to the dulwich picture gallery !

interrred on this spot ... the founders of the dulwich picture gallery

the new coen brothers' film no country for old men ...

( picture of mccarthy and the coens reproduced without permission from time magazine )

you couldn't ask for better evocations of the western landscape than cormac macarthy's

he is a writers' writer

blood meridian and no country for old men are beautifully written stories which i regret having read because they are so disturbingly violent

for many people the depiction of violence in any art form tends to have a kind of pornographic fascination ... many of the cinema's customers could best be described as "users" ... so i've always tended to avoid films that are remarked for their violence & i can't justify going to see this one ... i'm not sure that the tradition of the violent western is needed any longer although i'm willing to accept that the arts must always be free to respond to whatever is fundamental in human existence

however ... despite these gripes, i did enjoy this article about the actor tommy lee jones in yesterday's guardian

http://arts.guardian.co.uk/filmandmusic/story/0,,2242229,00.html

bought flowers

cast iron at the V&A ... the worshipful company of salters

a relic of the salters' guild ... i think their motto translates as "salt flavours everything"

http://www.heraldicmedia.com/site/info/livery/livcomps/salters.html

after another visit to the v&a ... the re-write of pride and prejudice can wait no longer ...

the original plot seems a little lacking in proper drama ... maybe i can re-introduce the menage a trois scene, deleted by austen's publishers in a moment of editorial pusillanimity, where lord nelson and lady hamilton, having been thrown out of beckford's fonthill on christmas eve, make their way north through blizzards to gargle brandy with mister d'arcy and his cousin mister rochester on new year's eve

a slow read

I’m slowly finding my way towards the end of a book of essays by Susan Sontag, which I bought more than two years ago. The title is “Where the Stress Falls” and I’m inclined to think it is a very poor title because her work has very little to do with what we call Stress, and much more to do with Emphasis. Each page offers a cornucopia of ideas, felicities, and fresh perspectives, yet somehow, whilst enjoying her sweet-natured conversational style, I never stuck with it for more than a few pages at a time. When we go out in to the world each day, I think we often look at what we encounter as if “through our friends’ eyes”. Why we don’t have the confidence of our own perceptions is hard to explain. Maybe we value the insights that others provide more than our own, as though they were lifeboats on a sea of confusion, more likely it is just our way of sustaining a dialogue with absent friends.

legal tender

= 0.99 US dollars at today's exchange rate,

or one old Bank Of England ten-bob note down Memory Lane

good king arthur ... ruling the civilized world at eccles road

the grand, just opposite clapham junction

estrella morente

takes me to another place ...

http://www.youtube.com/watch?v=y1Gq1Ut2MgA

just trying out a wide-angle low-perspective of a familiar subject

loose change

someone gave me this old coin in my change

i suppose it might signify a time when the germans were still hungry long after the war had ended

the late tom smallridge told me how british servicemen occupying germany had to guard coal-trains in the depths of a terrible winter

the locals would send their children to unbolt the wagons' sides if the trains stopped near their homes

knowing this might happen, the soldiers were given orders to shoot them on sight, but never did as far he knew ... tom said those who gave the orders "were typical of their class"

stuff from assyria

stuff from egypt

stuff from greece

stuff from rome

if all else fails, read the instructions ...

i've had the little camera for nearly three years and i'm just starting to understand the macro function ... i lacked the patience to read the manual ... so it hadn't occured to me that you could place this same tiny lens so close to your subject

don't miss your chance ...

there is a large exhibition of works by william blake at tate britain until the first of june

admission is free

http://www.tate.org.uk/britain/exhibitions/blake/default.shtm

the dogs go on with their doggy lives

http://www.joppeluiten.nl/icarus_1/icarus_page_a.htm