clayton church, medieval paintings

 

clayton church, west window

 

jack and jill windmills from clayton church yard

 

it ain't over until the snow queen slumbers

 

tim binding on eric ravilious

Saturday's Guardian Weekend, their glossy colour supplement, carried a short piece by tim binding on eric ravilious, nice to read

it is a worthy enthusiasm and i commend readers to see some of ravilious' works in eastbourne's towner gallery, and in the most excellent book published by the imperial war museum, who also feature his work on their excellent website

 

design classic ?

maybe, because ...

it is cheap & practical

they've taken the traditional beehive shape about as far as you can go along the thin dividing line between recognition & pure simplicity

it is discreetly monumental because of its sensible proportion's

and maybe that little "squeezy honey" label would make a nice lapel badge for someone

'nidle moment, chez micawber

 

dial-a-hubby ... it was the "on demand" bit that made me smile

 

falmer cultivation markings again

 

cockney's eye-view of the gherkin

i really do like this building because of it's simplicity and it's proportions

it is much better looking than the barcelona tower

what i like to call the "triumph of visual logic"

 

complicated tree near whiteways lodge on the outskirts of arundel park

 

cultivation pattern at falmer

 

cast iron in the porch at brightling church

 

memorial to richard glyd in brightling church

 

addendum in brightling church

 

classy sign painting in brightling church

 

memorials in brightling church

 

a lovely smile in brightling

 

saintly-ish in brightling

 

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