Sunday, August 19, 2007

part five ... renato shows albin how to walk the john wayne walk

Renato: ( using his right hand to press down his errant little finger ) It does it by itself. Enough ! Blow your nose. We’re going home.



















Albin: Wait ! Wait ! I need to freshen up.

Albin hesitantly walks, minces, flutters towards the door of the bar in search of the toilets.

Renato: No ! No ! No !

Albin returns to Renato’s side.

Albin: What have I done now?

Renato: What kind of walk is that?

Albin: What's the matter with it?

Renato: Mince like that tonight and we're ruined.

Albin: What am I going to do ?

Renato: Come here.

Albin: What do you want?

Renato: Try to walk like John Wayne.

Albin: The cowboy?

Renato: Yes, John Wayne. Gets off your horse, walk towards the saloon, and send the doors flying ! Try it.

Albin: I have to be John Wayne? Here I go.

Minces again.

Renato: ( As Albin flings open the bar doors ) That's Miss John Wayne !



















There is a most exquisite irony here because the score for this film is by Ennio Morricone, who also did the music for the Sergio Leone “spaghetti westerns”. Just a few wisps of that wild west saloon sound & a couple of piano chords in the same style set the mood for a confrontation …

Voice from the bar; ( mimicking an effeminate lisp in a not unfriendly way, but difficult to translate )

Alors pédé ! ( which maybe translates as … Hey, fag ! )


Albin: ( returning to their table ) Someone just called me a fag.

Renato, throws down his napkin, rolls up his sleeves & parodies the John Wayne swagger in an even more exaggerated way as he approaches the smallest man at the bar …

Albin: And now he shows me …


part six ... hubris a la john wayne ... and redemption



Renato: Did you call my friend a fag?



The smallest man confidently shakes his head in denial,






















and then jerks his thumb, indicating the huge man standing right behind him …





















... and we avert our gaze from the ensuing violence

Sunday, August 12, 2007

eltham palace ... amazing what you can do with a few millions





Combining Art Deco and ocean liner style, Eltham Palace is a stunning masterpiece of twentieth-century design. Textile magnates Stephen and Virginia Courtauld built their glamorous London showpiece in 1936, next to the remains of a medieval royal palace which was originally Henry VIII’s boyhood home. The dining room features pink leather upholstered chairs and black-and-silver doors, portraying animals and birds from London Zoo. The Courtaulds’ home movie is another delight, showing them relaxing with their pet lemur. Discover many enticing features in the nineteen acres of surrounding gardens, including a sunken rose garden and medieval bridge ... it sez on the english heritage web site. The entrance to the house is a wonderful conception, with a three sided hall linking wings of the house that were offest by more than ninety degrees, doors and staircases carefully aligned to give long views through grand spaces, etc, etc. beneath a dome studded with what appear to be hundreds of lenses to bring down lots of daylight.




henry the seventh's lady chapel at westminster abbey ... infested with lions, dogs, and gryphons




do sailors still sing shanties ?

http://en.wikipedia.org/wiki/Sea_shanty


the quality of mercy ...




The quality of mercy is not strained.



It droppeth as the gentle rain from heaven



Upon the place beneath. It is twice blest:



It blesseth him that gives and him that takes.



Tis mightiest in the mightiest; it becomes



The throned monarch better than his crown.



His scepter shows the force of temporal power,



The attribute to awe and majesty,



Wherein doth sit the dread and fear of kings.



But mercy is above this sceptered sway;



It is enthroned in the hearts of kings;



It is an attribute of God himself;



And earthly power doth then show like God's



When mercy seasons justice.