of the seven deadly sins, the eighth and worst by far is emotional blackmail ... the diligent practise of this subtle and ancient art creates a constantly evolving darwinistic moral vacuum in which the brightest new manipulative ideas and stratagems flourish ... and which only you, or i, can fill !
Sunday, September 16, 2007
Saturday, September 15, 2007
Sunday, September 02, 2007
Saturday, September 01, 2007
Thursday, August 30, 2007
Tuesday, August 28, 2007
Monday, August 27, 2007
Saturday, August 25, 2007
when i'm emperor, the last saturday in august will be national emotional blackmailers day
Thursday, August 23, 2007
Monday, August 20, 2007
prize eejit
almost the entire scene i described yesterday can be seen on youtube
sorry for wasting your time ... and mine !
however, you may notice that the ?americanised? subtitles have lost much in translation
http://www.youtube.com/watch?v=TN8Mp3FXiUg
sorry for wasting your time ... and mine !
however, you may notice that the ?americanised? subtitles have lost much in translation
http://www.youtube.com/watch?v=TN8Mp3FXiUg
Sunday, August 19, 2007
Michel Serrault in La Cage Aux Folles
http://film.guardian.co.uk/obituaries/0,,2140865,00.html
I was watching yet another comedy last night; it was La Cage Aux Folles yet again, when I belatedly learned of the recent death of the actor Michel Serrault. The film must have been made nearly 30 years ago.
Renato, the butch Italian manager of La Cage Aux Folles, a gay cabaret in St. Tropez, and his French partner of twenty years, Albin who is the club’s starring drag/drama queen, endeavour to pass themselves off for one evening as an Italian cultural attaché and his wife. This is because Renato has a son who wants to marry the daughter of a well-known right wing politician, a Deputy.
As in many partnerships, when there is a disagreement, there follows a competition to be "right". Renato, it seems, likes to give good advice, but doesn't know when to stop. In this scene, they go into a working-class bar along the street to compose themselves after a tiff. They pass straight through the bar to sit alone in an empty back room and I have always loved the ensuing low-budget scene in which the butch Renato tells the effeminate Albin how to butter his toast like a real man. This quickly becomes a duet of stereotypical camp gestures and posturing.
As in many partnerships, when there is a disagreement, there follows a competition to be "right". Renato, it seems, likes to give good advice, but doesn't know when to stop. In this scene, they go into a working-class bar along the street to compose themselves after a tiff. They pass straight through the bar to sit alone in an empty back room and I have always loved the ensuing low-budget scene in which the butch Renato tells the effeminate Albin how to butter his toast like a real man. This quickly becomes a duet of stereotypical camp gestures and posturing.
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