Thursday, January 24, 2008

... and by golly there woz light ! ... antique gas guzzler by horse guards parade


turkish gun ... on a posh english gun carriage
























i'm not fond of guns, but this one has some charm, and illustrates the peculiar vanity of those who bear arms ... made in 1524, "captured" ( does that mean looted ? ) by the british in egypt in 1801 .... when it was already two hundred and seventy something years old ...


the gun itself is said to have been made by murad, son of abdullah, chief gunner in 1524 for "the Solomon of the Age, the great Sultan Commander" ...




the carriage which supports the gun was "executed by mr. ponsonby" c.1804 and constructed in the royal carriage department, founded by J & E Hall, Dartford.




captain scott ... of the antarctic




and sterna suggested this link
which is exquisitely appropriate ... thanx

life's little ironies ... sooner or later, what goes around, comes around

an ukrainian restaurant has opened in one of the buildings that face the crimean war memorial














Saturday, January 19, 2008

look in to my eyes and obey me ... you will go to the dulwich picture gallery !



interrred on this spot ... the founders of the dulwich picture gallery


the new coen brothers' film no country for old men ...

( picture of mccarthy and the coens reproduced without permission from time magazine )

you couldn't ask for better evocations of the western landscape than cormac macarthy's

he is a writers' writer

blood meridian and no country for old men are beautifully written stories which i regret having read because they are so disturbingly violent

for many people the depiction of violence in any art form tends to have a kind of pornographic fascination ... many of the cinema's customers could best be described as "users" ... so i've always tended to avoid films that are remarked for their violence & i can't justify going to see this one ... i'm not sure that the tradition of the violent western is needed any longer although i'm willing to accept that the arts must always be free to respond to whatever is fundamental in human existence

however ... despite these gripes, i did enjoy this article about the actor tommy lee jones in yesterday's guardian

Wednesday, January 16, 2008

Sunday, January 13, 2008

cast iron at the V&A ... the worshipful company of salters























a relic of the salters' guild ... i think their motto translates as "salt flavours everything"

http://www.heraldicmedia.com/site/info/livery/livcomps/salters.html

after another visit to the v&a ... the re-write of pride and prejudice can wait no longer ...










































the original plot seems a little lacking in proper drama ... maybe i can re-introduce the menage a trois scene, deleted by austen's publishers in a moment of editorial pusillanimity, where lord nelson and lady hamilton, having been thrown out of beckford's fonthill on christmas eve, make their way north through blizzards to gargle brandy with mister d'arcy and his cousin mister rochester on new year's eve

a slow read




I’m slowly finding my way towards the end of a book of essays by Susan Sontag, which I bought more than two years ago. The title is “Where the Stress Falls” and I’m inclined to think it is a very poor title because her work has very little to do with what we call Stress, and much more to do with Emphasis. Each page offers a cornucopia of ideas, felicities, and fresh perspectives, yet somehow, whilst enjoying her sweet-natured conversational style, I never stuck with it for more than a few pages at a time. When we go out in to the world each day, I think we often look at what we encounter as if “through our friends’ eyes”. Why we don’t have the confidence of our own perceptions is hard to explain. Maybe we value the insights that others provide more than our own, as though they were lifeboats on a sea of confusion, more likely it is just our way of sustaining a dialogue with absent friends.