there isn't much written about maurice lambert ... perhaps because not much of his work is memorable
the main book, by vanessa nicolson, is excellently illustrated and researched ... but she sticks to the facts and so she doesn't really ask the question i need to answer ...
how did maurice go from being that sweet baby to becoming a part-time or temporary pornographer of [post-war/cold-war/state-sponsored?] violence ?
and which holder of the purse-strings commissioned the work on behalf of associated electrical industries, and how far was it's confrontational subject matter discussed ?
maybe vanessa nicolson's single paragraph about maurice lambert's war-time experience gives us a tenuous clue to his own attitude
... and maybe the following article, which popped up when i googled "corporate cold war art", might help to give some perspective to the nature of this commission ...
http://libcom.org/history/articles/cultural-cold-war/
of the seven deadly sins, the eighth and worst by far is emotional blackmail ... the diligent practise of this subtle and ancient art creates a constantly evolving darwinistic moral vacuum in which the brightest new manipulative ideas and stratagems flourish ... and which only you, or i, can fill !
Showing posts sorted by relevance for query maurice. Sort by date Show all posts
Showing posts sorted by relevance for query maurice. Sort by date Show all posts
Friday, July 04, 2008
Wednesday, June 18, 2008
maurice lambert, sculptor of the barbaric edifice at 33 grosvenor place
born in france, lived in england, son of george, a rarther distinguished painter from australia, see first two paintings of maurice
... the question is, how did Maurice get from A to Z ?
to me, his work makes him seem like a character out of hitchcock
http://www.flickr.com/search/?q=basildon&w=13385968%40N00
... the question is, how did Maurice get from A to Z ?
to me, his work makes him seem like a character out of hitchcock
http://www.flickr.com/search/?q=basildon&w=13385968%40N00
Thursday, June 26, 2008
you look dapper from your napper to your feet ... to the national art library in the V&A to find out more about maurice lambert; he's wearing gloves
i'll go back next week to check some details before i give you the results of my short search ...
... and many thanks to everyone at the library for their courtesy and patience
one of the questions that i'll be "sniffing around" in search of an answer for is ...
was there such a thing as "cold war art" & was maurice's work for Associated Electrical Industries a prime example ?
curiously enough, fantastically curiously, quite creepily serendipitously ... having just formulated that question and typed the three words into google, i've found this link to a forthcoming exhibition on the V&A's very own website !
maybe the question needs reformulating ... was there such a thing as "corporate cold war art" ?
Saturday, June 07, 2008
ref: barbaric ...
i went back to grosvenor place this morning to satisfy my curiosity about number 33
... a curious building in that it bears no exterior signage that would give the passer-by any clue about its original purpose, or the origin of these masterly but quite obscene carvings
... maybe the rooftop pinnacles at either end of the building might jog someone's memory
... but not mine
nb ( 18th july 2008 ) just found from pevsner that the carvings are by maurice lambert, a rich if limited subject, so more about him in a new blog as soon as i've done some research
Pevsner describes the subject matter as angels "trampling down" devils ... mmm ! sort of ...
pevsner doesn't attribute the gigantic pinnacles/finials
Saturday, July 05, 2008
like a dog chasing it's own "tale"
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